For Conductors

Conductor Course: Basic

"Basic" turn against those who would like to begin by conducting or for people who have little experience in choral conducting.

In this course we will look at the basic work of directing, stroke technique and communication, and elucidate the interaction between your body language and how the choir sings. The repertoire will consist of simple choral movements from different genres.

Repertoire:

Title Info composer
Wedding March from Østerdalen Arr.: Per Indrehus
Kyrie eleison Iver Kleive
Dance my view, crying my song Einar Skjæraasen / Torild Goksøyr / arr. P.O.Hildre
Abschied vom Walde Felix Mendelssohn-Baroldy, (MH 2387)
Käraste brother C.M.Bellman / arr. Robert Sund (C.G.6062)
Do not worry, be happy Bobby McFerrin / arr. McFerrin, Outer-Arne (Ten-Sing BankNote 4040)
Can not help fallin'in love Weiss / Pereti / Creator / arr. Svein A Lindmark (N.M.O.10,612 - booklet)

In addition, there will be also be the simple one-and two-part songs.

Maximum number of participants: 20

Instructor: Tove Lundborg

Conductor course: Rhythmic
- working with rhythmic choral music!

Why is it often difficult to get it to swing and sounds "right"? Rhythmic choir music is developing rapidly these years and we look closely at the opportunities there are to strengthen both choir leader and choir's skills, focusing on "the intelligent choir."

Purpose

To promote the personal and professional skills at a higher educational and artistic level in management of rhythmic vocal ensembles, both on the basis of traditional andcontemporary forms of expression in rhythmical music.

Contents

Stylistically wide repertoire in contemporary vocal music.
Executive / management and dissemination.
Experimental forms of expression (eg. Soundpainting).
Improvisation.
Microphone Gain.
Rhythmic training (eg. STOMP for singers).

Repertoire

How deep is your love (Gibb)
Take me coco (Zap Mama)
Blame It On The Boogie (Michael Jackson)
Do not Give Up (Peter Gabriel)
A life for me (Anders Edenroth)
Cage Of Promises (Anders Edenroth)
Fever (John Davenport)
Groovin'It Up! (Thue Thesbjerg)
Every time it gets Winter (Helle Hansen)
My Módir (Eivør)
One 'man One Vote (Johnny Clegg)
Rain Your Love Down (Stevie Wonder)
Say (SoVoSo)
Soul Shadows (Joe Sample)
Tumbalele (F. Neto, M. Neves, J. Rice)
The Garden (Bobby McFerrin)
Blackbird (Paul McCartney)
Viva La Vida (Coldplay)
In Australia (Morten Kjaer and Niels Nørgaard)
Road To The South (Ralf Schmitt)
Vido (Cosmos)
Trickle Trickle (The Manhattan Transfer)
The Secret Marriage (Sting)
You Can Call Me Al (Paul Simon)
It's Alright (Huey Lewis)
When Doves Cry (Prince)

Audience

Choir leaders with some experience.

Prerequisite

Have experience in rehearsal and executive / leadership of choirs.
Mastering the piano and sang in indstuderingsøjemed.
Martin Alfsen will also be with noe on this course and bring the inn gospel genre.

Maximum Number of delegates: 20

Directors: Jim Daus Hjernøe and Martin Alfsen

Conductor Course: Scenic

SCENIC CHOIR - WHAT IS IT?

We work with the concept such:

Presence, Listening, Direction,
Body Language, Communication, Creativity,
Musical Dramaturgy mm
What do we say with our music?
How will we achieve it, and then further affect our audience?
How do we find it in one voice sound?
How can you get creative in the whole choir and find just running our uniqueness?
How to easily weave together choral music with movement, text into a whole, either by collecting scattered choirs from different genres inspired by a theme, or bring to life a classic traditional choral work in new ways.
With the help of simple exercises that also leads to calls, we raise awareness and increase the theatrical communication between the choir and the choir as well as with the audience.

We are working to find a bigger stage security both for the individual choirs author of the chorus as a whole.

How can we communicate and make use of the stage space in various concert halls, churches, etc.?

Welcome to a week where we investigate what can be done with a choir! With Sweden's most experienced körregissör.

Number of Maksimalt deltakere: 20

Instructor: Anci Hjulström

Conductor Course: Advanced students

There will be working with some of the demands a conductor can set in addition to such. percussion techniques, interpretation, articulation, harmonic treatment ++.

The course will also consider the conductor's most important role in relation to leadership, inspiration and accountability.

In this course you practice with the Practice choir (Øvingskoret).

Repertoire

Per Norgaard: Wie ein Kind, 1.sats
Henryk Górecki: Totus tuus
Johannes Brahms: Warum ist das Licht gegeben them Mühseligen, Op.74, No. 1
Edward Elgar: Serenade, Op. 73, No. 2
Eric Whitacre: I thank you God for musts this amazing day
Knut Nystedt: Peace I leave with you
Egil Hovland: Karin Boyes aftonbøn

Dokumentation audiovisual Level (video + practice documentation) must be sent for qualification. Either in the form of an email to Denne e-postadressen er beskyttet mot programmer som samler e-postadresser. Du må aktivere JavaScript for å kunne se adressen or via the usual mail to: Norges Korforbund, Nedre Vollgate 3, 0158 Oslo, Norway.
Remember that you also have to sign in to the registration form.

Maximum Number of delegates: 10

Director: Mogens Dahl